It was 1989 and I was roundly ignoring a verdant spring day in the HVAC hermitage of Brown University’s Computer Science Lab, when Henry Kaufman yanked me up from my workstation to say I must see Merce Cunningham’s dance company perform. Who’s that? I blurted to my friend as he pulled me out the lab’s card-keyed door.

Over the past few days my first three apps became available on the iTunes store: Gravilux, Bubble Harp, and Antograph. I’ve been dreaming of this day for twenty years: a day when, for the first time, we can enjoy interactive art as a media commodity no different from books, music, and movies. But is there a market for this new medium?

Scott Snibbe Selected Interactive Works DVD 1995-2005 — Scott Snibbe - Interactive Art

Early Influences
Catalog essay by Scott Snibbe
Uijeongbu Digital Art Festival. South Korea, October, 2003

Body, Screen and Shadow
by Scott Snibbe
Published in the San Francisco Media Arts Council (SMAC) Journal. January, 2003.

Computation and Improvisation
Scott Snibbe
ICC Journal, Tokyo Japan, Fall, 2002